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An outstanding film with a tremendous performance from Natalie Portman as Nina, the obsessive ballerina torturing herself in pursuit of the ultimate performance of both the White Swan, and the Black Swan. Aronofsky's unique auteur style transposes amazingly from The Wrestler - where previously he captured the grit and degradation of amateur wrestling the ballet stage is a shadowy mirror world, the Freudian subtext hanging deliciously and maliciously in the air. Certain sequences might appear to tip the subtle fantasy into generic horror but they're constructed with an indeed balletic panache and nightmarish-ness that it's as exciting as it is psychologically sinister. Vincent Cassel is also very good as the demanding director, and Mila Kunis suitably lascivious and alluring as Lily, Nina's nemesis and feared usurper. Portman deserves all the plaudits she gets as this is by far her best ever performance; the dedication she put into the role is brutally visible, her performance a mirror of Nina's gruelling pursuit of perfection.
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